The Tales of Hans Christian Andersen
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Comm-B

Scott Mellor
1310 Van Hise Hall
Tel: 262-0863
Email: samellor@wisc.edu
Department of Scandianvian Studies

The Ugly Duckling

 

The Tales of Hans Christian Andersen

 
 

Glossary
Model of the folktale
Figure 1


Folktales

There is no easy definition of the term folktale. For this class, it is sufficient to say that a folktale is part of the folklore tradition, that is to say a tale that is told by a storyteller orally. The folktale is part of a performance which involves both the teller and his or her audience. It is important to make the distinction that, though folktales may be written down by a collector, such as Mathias Winther or the Grimm Brothers, they are not written works. Further, Andersen does NOT write folktales, though he does IMITATE them. As scholars, like Stith Thompson, have studied the folktale, they discovered that there were many instances of the same tales being told all over the world. In order for the tale to be considered a variant of a tale, the core of the story is the same. A variant has the same core tale, but the details change. The details can change in two ways: firstly, depending on the local culture and, in the case of a collected tale, when the tale was told; and, secondly, each telling of a tale is different depending on the teller and the audience (see figure 1). Sometimes a tale collected in the last century can seem awkward or even boring to a modern listener because the details are no longer relevant. Details concerning 19th century Europe will seem obscure and incomprehensible to us. Also, in a modern performance of a tale, a teller may have a lively audience and, therefore, decide to lengthen a tale the audience seems to be enjoying. Equally, a performer can choose to make a tale very short if it seems the audience is not enjoying the story or has heard it before. Remember, an audience can be a single person, or, in our modern world, hundreds of thousands of people at the other end of a television set.

Model of the different tales
Figure 2

For all intense and purposes, there are three different types of tale: the magic tale, the fabliau, and the schwankmärchen. The magic tale is a tale that begins with a hero who often has nothing and by the end he or she has gained a kingdom. A fabliau is often called a trickster tale. The is no happy ending and often there is a trick played on someone in the tale. A schwankmärchen is a hybrid form that mixes the magic tale and the fabliau (see figure 2). It has the same structure as the magic tale, but it has the language of the fabliau.

S. Mellor